Thursday, November 7, 2013

Oz The Great And Powerful

So I've been busy, lazy, ill, and otherwise preoccupied for a while, thus never posted the worst of what I saw in 2011...a list long forgotten at this point. Oh well. We move on. Perhaps the film at hand will make this year's list?

Probably not. Sam Raimi's Oz The Great And Powerful isn't quite bad enough to be awful, but isn't anywhere near good enough to be…well, good. The biggest problem? It's too simple. It's dumbed down. It's Disney PG, which means it's aimed at all people of all ages and therefore doesn't want to burden anyone's viewing experience with things like complex character motivations or emotional resonance. No, better to keep things basic...oh and don't forget the cleavage; there must be plenty of cleavage.


All three female leads are treated with equal disrespect, but the most damning image was the easiest to find.
Anyway, typical Disney crap aside - and not to pick on Mila Kunis, whom I actually like a lot and consider an underrated actress - this movie is somewhat miscast, the talented Mila included. She tops the list, actually, as the person most wrong for her role. She's just not good here, but she never had a chance; the two polarizing attitudes assigned to her character don't play on her strengths as a performer. Her witch Theodora is either super-sweet naive or genocidally raving, without much reason behind either sentiment. Kunis has more depth than that, and plays such depth very well; trying to express such a thin coating of emotion just comes across flat…she's actually too good to portray something this one-dimensional, so she fails at it. Not her fault, say I.

Michelle Williams is good, Rachel Weisz doesn't have enough to do, Zach Braff is totally wrong and rather annoying...Franco is fine though his character's too shallow, and yes I realize the guy is meant to be selfish and superficial - I'm saying that's all he is, until he grows as a person and learns to care about people blah blah blah we all know protagonists have to change…but throughout the story these are the only things that drive him. All his actions are based on simple emotional states and it just isn't enough to propel an entire narrative.

Enough psychological talk; let's get technical. The first twenty minutes is sepia-toned academy ratio, 1:33 to 1, or your basic square-like TV-shaped image, until Oz the man arrives in Oz the land and then color appears in widescreen 2:35 to 1. All of which is acceptable, it's a gimmick, I don't mind, I can go with it…except when watching this on DVD, on a regular old TV, it's twenty minutes of a tiny box taking up only half the real estate of the useable screen. Could they not encode the disc to play this section full screen, then go to the normal letterbox mode when the movie does? I know they can. I realize lots of people have giant 16:9 HD flatscreens, and I'm sorry my lack of finances has kept me in the dark ages for so long, but seriously, don't crop the image to half its size. And yes I tried adjusting it using both my DVD player and TV, but all they can really do is zoom in, which results in a plethora of pixellation, so…it's just stupid. That's all I'm saying.

You know what else is stupid? 3D. Yeah, I'm one of those people who thinks a movie should draw a viewer into its world with compelling characters and emotional truth, not a fake visual design the human eye can't properly contemplate. Even putting aside how it looks, it invariably changes the way the story is presented - I can always tell when a movie I'm watching in 2D has been directed to be in 3D, because the camera is constantly moving through things, or stuff is flying past it, or worse, something is thrust directly at the viewer, straight at the frame…it's like the movie is screaming "Hey look at this! Aren't I fun?" Ugh. Spare me.

As for the film's appearance otherwise, there are a couple expensive-looking sets but mostly it's expensive-looking CGI, some of which works and some doesn't. The compositing between the actors and Green Screen Land is often shoddy, Finley the Monkey looks awful and is lousy animation…yet the China Girl is an astonishing display of artistry, in the subtlety of her performance and how beautifully she's blended into the environment, both the real physical sets and the created backgrounds. Typically a film of this size and budget has several different FX houses working on various aspects of post-production; one can presume the disparity in workmanship is a result of those hired to handle the China Girl being way, way better at what they do.


So like I said near the beginning, the movie isn't awful or awe-full, but was definitely worth watching to see how the story was handled. And I'll say, between Disney and Raimi: not very impressively. But after all the junky Spider-Man nonsense and the utterly terrible Drag Me To Hell, I don't expect much from Sam the man anymore. Still, I might be cajoled into eventually checking out whatever he does next. We'll just have to see where the wind takes us.

Thursday, January 26, 2012

Best Movies Of 2011 (of what I saw this year)

Okay, I'm a bit late with this...but everything on the internet is either immediately forgotten or forever timeless, right? So I can shoot for timeless, and hope for the best.

Remember, this is not a best-of list for movies released in 2011, but of those I happened (managed) to see throughout the year. Usually for free, from the library (I'm kinda broke). And since I can't necessarily see everything I want to, these movies stand out from the bunch, because I'll watch anything I can get my eyes on...anything.

If you haven't seen these movies, see them! If you have, tell me what you think!

Black Swan
Brought me back into the Aronofsky camp (tentatively). I can't stand The Fountain and I hate The Wrestler, so I picked it up with some trepidation - but this is finally the same guy who made Pi & Requiem For A Dream, and I like that guy. His movies, anyway. And, Oscars aside, Natalie Portman is very good here. So are Mila Kunis, Winona Ryder, & Barbara Hershey. Truly, truly good.

(500) Days Of Summer
What I mainly respond to here is the emotional reality it portrays of being in a relationship that isn't what you thought it was or wanted it to be...in that regard, it's brilliant. It's also occasionally silly and broadly comic, but hey, it's a movie! And it has a wonderful balance of drama among the goofy jokes and full-on musical numbers.

Cold Souls
An inventive idea, well executed, with Paul Giamatti at his most Paul Giamattiish  - playing a fictional version of himself. Often amazing, always enjoyable, and with many great little touches here and there. Must-watch deleted scenes on the DVD: variations of his literally soul-less rehearsals for Uncle Vanya. Utterly priceless, and hilarious.

Robin Hood
So what if Ridley Scott almost completely changed one of the most highly touted screenplays of the last few years! So what if Russell Crowe is the oldest actor (45 at the time) to play the role! It's a good story - conflict, action, a bit of romance - and a new look at a familiar legend. Judge it on its own terms and it's definitely entertaining.

Black Dynamite
I'm not even sure what to say about this; it speaks for itself so incredibly well. This movie is crazy funny, even if you've never seen an example of the films they're making fun of. Because you've certainly seen poorly made cinematic trash before, which is mainly what this movie celebrates. Honestly, just rent it. Just watch it. Guaranteed chuckles, I promise you.

How To Train Your Dragon
While there is a certain simplicity in the storytelling here, being a movie aimed at children, it's still funny, touching, and beautifully animated. No pandering to the audience, no stupid crap you often see in kid-friendly movies...just good old-fashioned fun. And no, it doesn't make sense that vikings would sound either Scottish or American, but come on - DRAGONS!


Coming soon: The Worst Of 2011. There will be swearing...

Sunday, November 27, 2011

What An Asshole!

Finally, the long-delayed sequel to movie Bitches: Assholes!

In terms of film history, there are a lot more to choose from here, as movies have a lot of villains - and villains tend to be Assholes. Rarely is the protagonist the Asshole, unless he becomes a better person by the end - like Bill Murray’s Phil Connors in Groundhog Day, a fine example of an Asshole protagonist.

So, given the depth & breadth of movie Assholes (ha ha), this is but a small selection of representatives. Spoilers abound, but these movies have been around a while; anything you didn’t know is your own fault. And again, apologies for any oddities in layout & formatting...if it bothers you, try not to be an asshole about it.

Mr. Blonde/Vic Vega (Michael Madsen) in Reservoir Dogs
The Psychopath Asshole
Yes, he is cool. And while he is also quite the badass, he did turn a simple robbery into a bloodbath, for no apparent reason other than he kinda felt like it. And what does he do, after shooting a bunch of people and getting several of his cohorts shot or killed? He shoves a rookie cop in his trunk, stops for a bite to eat, cuts off the poor guy’s ear, and prepares to burn him alive. Not exactly Mr. Normal here.

“If they hadn’t ‘a done what I told ‘em not to do, they’d still be alive.”

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Randal Graves (Jeff Anderson) in Clerks
The Vulgar Asshole
The antithesis of his best (and apparently only) friend Dante, Randal says whatever he thinks - and does whatever he wants - because he’s free to be himself. Unconcerned with whom he offends or how badly, he has no qualms about ordering a long list of porn videos over the phone in front of a little girl and her mom, or spitting water on a guy just to prove that title doesn’t dictate behavior. And the truth is, he’s not a bad person - he simply never bothers to keep his mouth shut.

“This job would be great if it wasn’t for the fuckin’ customers.”

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Biff Tannen (Thomas F Wilson) in Back To The Future
The Bully Asshole
One mark of a great performer is the ability to play a character very much unlike oneself - Tom Wilson, the actor, is in fact quite shy, and gentle, and sweet. Biff, on the other hand, torments and harasses every single person he interacts with: the McFlys, Lorraine, his group of so-called friends, even his grandmother (in Part II)...though she doesn’t seem especially fond of him either. We never get much more insight into his behavior, but clearly, he has issues.

“What’re you lookin’ at, butthead?”

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Hank Evans (Jim Carrey) in Me, Myself & Irene
The Unstable Asshole
Never mind the enormous lack of clinical accuracy regarding severe mental health concerns; Hank appears in the moments when Charlie - the nice guy host personality - is psychologically incapable of standing up for himself. But Hank’s been suppressed so long, once he’s loose he goes WAY overboard. He assaults several people, insults everyone else, destroys plenty of property...and leaves the mess for poor Charlie to clean up.

“Hey, ringworm...yeah I’m talkin’ to you, you toxic waste of life.”

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Hopper (Kevin Spacey) in A Bug’s Life
The Insecure Asshole
So what if it’s G-rated animation; an Asshole’s an Asshole! Hopper’s whole theory of life is this: knock the other guy down before he realizes he could knock you down. So while he and the other grasshoppers are three times the size of the ants, those ants outnumber them a hundred to one - and if the ants ever figure that out, those lazy grasshoppers might have to do something for themselves.

“If I hadn’t promised Mother, on her deathbed, that I wouldn’t kill you...I would kill you!”

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Ian Malcolm & Dennis Nedry (Jeff Goldblum & Wayne Knight) in Jurassic Park



The Genius Asshole
Two sides of the same obnoxious coin, they both think and act on the conviction they’re smarter than everyone around them - and they both pay for it. Their egos get them maimed, incapacitated, and in Nedry’s case, eaten. While it’s a good thing to use one’s superior knowledge in the advancement of science and understanding, it isn’t nice to rub everyone’s nose in it.

“Did I go too fast? I did a fly-by.”

“Ah-ah-ah...you didn’t say the magic word!”

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David (Dylan Moran) in Shaun of the Dead
The Uptight Asshole
The spoilsport, the party pooper, the guy who insists on disparaging everyone and everything under discussion or under way. He’s insulting, passive-aggressive, argumentative, and really shouldn’t have been pointing that gun at Shaun’s mum (even if she was a z-word). In his defense, he does finally stop whining and complaining - unless you count the screaming - once the hungry masses tear his limbs from his torso as they’re devouring it.

“Basically, I’d say your nine lives were up, Shaun.”

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Jim (Anthony Michael Hall) in Edward Scissorhands
The Jealous Asshole
At some point, he must have had a certain appeal - or Winona Ryder’s Kim wouldn’t be his girlfriend - but now he’s constantly abusive and demanding. When he sees a more respectful relationship developing between the “freak” he hates and the girl he loves (read: has chosen to possess as though she were property), he turns increasingly violent...and becomes one of 8 Assholes on this list to end up dead.

“Are you serious? Lose you to that? He isn’t even human!”

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Jasper Bloom (Rufus Sewell) in The Holiday
The Conceited Asshole
Selfish and self-centered, not only does he cheat on the women who love him, he uses them, coaxes them into taking care of things for him, and somehow still manages to make them desire his attention. He’s got such a ridiculous sense of entitlement that he literally can’t believe it - seriously; he would have considered it impossible if the idea could have even occurred to him - when Kate Winslet’s Iris finally frees herself from him emotionally.

“So you are eventually gonna look at me, aren’t you?”

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Kit Ramsey (Eddie Murphy) in Bowfinger
The Movie Star Asshole
Kit does have genuine psychological issues - and the movie’s protagonists are certainly messing with him - but that’s no excuse for constantly berating everyone around him. He also looks for trouble where there is none, scanning a script to count the instances of the letter K and calling it a racist conspiracy when that number (1456) is divisible by three (which it isn’t). He’s gotten so used to being treated like a superstar he expects every whim to be catered to - no matter how crazy he sounds.

“I’m the biggest black action star in the world! Where’s my ‘Hasta la vista, baby’ ? If Arnold Schwarzencracker is gettin’ to say lines like that, you better make sure that Kit Ramsey has shit that’s equally well-written!”

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Kent Mansley (Christopher McDonald) in The Iron Giant
The Government Asshole
McDonald has built a career out of playing characters nobody likes, and Mansley is no exception. He’s paranoid, xenophobic, and constantly struggling to prove his worth, even to people he looks down upon. He is so hell-bent on destroying the Giant - with no other reason than he doesn’t know where it came from therefore it must be dangerous - he launches a nuclear missile into a town full of people, including himself. And then tries to run away!

“I’m not at liberty to reveal the particulars of the agency I work for...and all that that implies.”

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Kim Jong Il (Trey Parker) in Team America: World Police
The Grandiose Asshole
No, I am not going to quote the movie's speech about assholes; I’m sure it’s easily found elsewhere. But just what is the little guy’s problem? Napoleon complex? No hugs during childhood? Whatever his issues, he’s nice to nobody...and if he is, he’s only setting them up for an imminent attack. He’ll settle for nothing less than complete world domination - even if he has to blow up most of the world to get it. And that, movie friends, is what makes him such a huge, gaping Asshole.

“Do you have any idea how fucking busy I am?!”

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Honorable Mentions:

Agent Smith (Hugo Weaving) in The Matrix

The Digital Asshole


Drexl Spivey (Gary Oldman) in True Romance

The Wannabe Asshole


AUTO (MacInTalk) in WALL-E


The Misguided Asshole